![]() ![]() It is a story of Dante's journey through life to salvation. The opening lines suggest first a realistic journey through a strange and eerie place, but after the first tercet (three lines), it is apparent that everything will be in terms of an allegory. This is made clear in the closing lines, when Virgil tells Dante that he can guide him only so far towards Paradise, and then another guide will have to take over because Virgil, being born before the birth of Jesus Christ, cannot ever be admitted to the "Blessed Realms." This opening canto is an introduction to the entire Divine Comedy. Dante readily agrees, and the two poets begin their long journey. Another guide will take him to this last realm, which Dante cannot (or may not) enter. ![]() Virgil commands Dante to follow him and see the horrible sights of the damned in Hell, the hope of those doing penance in Purgatory, and if he so desires, the realm of the blessed in Paradise. However, Virgil prophesies that someday, a marvelous greyhound, whose food is wisdom, love, and courage, will come from the nation between "Feltro and Feltro," and save Italy, chasing the she-wolf back to Hell. When Virgil hears how Dante was driven back by the "she-wolf," he tells Dante that he must go another way because the she-wolf snares and kills all things. It answered: "not a man now, but once I was." It is the shade of Virgil, who wrote the Aeneid, and lived in the times of the "lying and false gods."ĭante hails Virgil as his master and the inspiration for all poets. At first Dante is afraid, but then implores it for help, whether it be man or spirit. It has difficulty speaking, as though it had not spoken for a long time. Just as Dante begins to feel hopeless in his plight, a figure approaches him. Then a hungry lion appears more fearful than the leopard, but a "she-wolf" comes forward and drives Dante back down into the darkness of the valley. ![]() After resting for a moment, he begins to climb the hill towards the light, but he is suddenly confronted by a leopard, which blocks his way and he turns to evade it. He looks up from this dismal valley and sees the sun shining on the hilltop. He cannot remember how he wandered away from his true path that he should be following, but he is in a fearful place, impenetrable and wild. They're coming.In the middle of the journey of his life, Dante finds himself lost in a dark wood, and he cannot find the straight path. Girls are coming out of the woods the way birds arrive at morning windows - pecking and humming, until all you can hear is the smash of their miniscule hearts against glass, the bright desperation of sound - bashing, disappearing. They've crawled their way out from behind curtains of childhood, the silver-pink weight of their bodies pushing against water, against the sad, feathered tarnish of remembrance. Even those girls found naked in ditches and wells, those forgotten in neglected attics, and buried in river beds like sediments from a different century. Girls are coming out of the woods, clearing the ground to scatter their stories. Is the world speaking too? Is it really asking, What does it mean to give someone a proper resting? Girls are coming out of the woods, lifting their broken legs high, leaking secrets from unfastened thighs, all the lies whispered by strangers and swimming coaches, and uncles, especially uncles, who said spreading would be light and easy, who put bullets in their chests and fed their pretty faces to fire, who sucked the mud clean off their ribs, and decorated their coffins with brier. Girls are coming out of the woods with panties tied around their lips, making such a noise, it's impossible to hear. Girls are coming out of the woods, wrapped in cloaks and hoods, carrying iron bars and candles and a multitude of scars, collected on acres of premature grass and city buses, in temples and bars. Girls are coming out of the Woods Tishani Doshi ![]()
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